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The Green Dragon Society primarily teaches new students the ancient
"Animal Spirits" called the Hun & Po Shen Gung. These animal spirits are
primal, and have been continuously developed by the Chinese for
thousands of years. This knowledge is taught through the Northern
Chinese Animal System known as Chi Tao Gung-Fu (T'iao Ho Ch'uan Tao).
This system teaches one to fight like a wild animal; such as the Tiger,
Leopard, Panther, Crane, Preying Mantis, Eagle, Wild Boar, or Black
Cobra animal styles. These are the Ba Gua, or eight major animal styles
correlated to the Chinese Trigrams. The trigrams were first discovered
by Fu Hsi in 3300 BC. They are a collection of ancient symbols
containing great wisdom and incredibly advanced knowledge. Out of this
school of thought arises the "World of Personality" configuration, which
is the basis for the structure of the eight major animal styles of Chi
Tao Gung-Fu. The animal system is further evolved upon the original
"Heaven and Earth Teachings" predominant in the olden days and Chinese
legendary times.
Note: An esoteric understanding of
these philosophies is not necessary to study the Animal Styles. We
present this information as an explanatory introduction to this brief
overview. |
Kuan Ti (God of War) |
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Examples of Trigram Configuration "Worlds" - In
this Case the "World of Heaven" - Before and After |
What is an Animal System? |
Origin Legends relate the chance observation of an animal (such as a
praying mantis fighting off and killing a bird), as the inspiration for
the creation of some animal styles. Other instances involved a
methodical approach to the study of animal fighting attributes. Long
ago, the noted physician Hua T'uo studied the forest animals at length
and composed the "Five Animals Frolics". Later Da Mo, the great
spiritual teacher in the Ch'an Buddhism tradition, having crossed the
mountains from India into China, watched the animals and analyzed their
movements as he lived among them in nature. He developed fighting
motions based upon his observations, which he bestowed upon the
legendary Shaolin Monastery. Other stories tell of the bestowal
of an entire animal system, upon a sleeping individual, by a Taoist God, in
the middle of the night. Taoist monks, shamans and mystics are claimed
to have been practicing physical animal related movements at the
earliest period in Chinese history, many thousands of years ago. Animal Styles are scattered about around the world
of martial arts. They range throughout China (Northern, Central &
Southern), to Indonesia, and Malaysia, even Africa, and beyond. Most
animal styles are only an imitation of animal movement, or perhaps the style
is just loosely associated, in symbolic terminology, with any actual
Animism.
But the ancient reasoning, originally, for imitating the animals’
fighting, was because it was believed that in order to survive in the
harsh natural environment, all the animals maintained a natural talent
and skill for fighting. It is in some of the Northern Schools that the
actual Spirit of the animal is manifest.
This Animal System is based upon the belief that there are
eight natural, human essences, referred to as Psychophysiological Types
(derived from body build,
nervous system dynamics, spiritual type), and correlated together in the
ancient 'World of Personality' pattern. In times past, the great sage
masters looked upon the world of nature to symbolically manifest this
understanding and sought vivid examples of behavior. Correspondingly,
there is the ancient Northern Chinese belief in the Animal Spirits;
called the Hun and Po. The animal spirits are vital to this system of
fighting.
Many of the animal style martial arts in existence are based on only a single
animal. An animal system, in contrast, is composed of multiple animal
styles. These multiple styles, interacting together in harmony, can form
a "Gate Way" to another dimension or level of martial art knowledge. In
the Art of Chi Tao, all the eight major animals, mastered to a
perfection, combine with the "Spirit of Heaven", to create a Dragon.
All Masters in the Art of Chi Tao Ch'uan are Dragons. This
is Taoist Alchemy awakening the Spirit of the individual. Taoism
is an 'Art of Change'. |
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For spiritual purposes it would be
auspicious to enter the "Gates of Heaven"
For combat it is more suitable to enter the confines of the "Primeval
Jungle" |
Which animal do you think you are? When you study this system of
eight animals you are already, through your natural physical evolvement
and personal life experiences, one of these psychophysiological types.
Your animal was chosen for you by Nature. Therefore, the Green Dragon
Society does not decide which one you are. Instead, it is our talent from
training to recognize your animal.
There are also sub-styles that round out the possibilities of human
differentiation. But these sub-styles are generally beyond the scope of this particular
lecture.
It is also important to realize that the Animal Styles are
potentialities, not absolutes. No two Snakes are exactly alike. The same
with all the other animals. Each person is a unique individual with
unlimited potential. The animal styles are stepping stones to higher
teachings, and an excellent place to start the study of oneself. The
animal styles were designed to improve the individual and enhance his
life. They are a philosophy for understanding the World through
harmonious interaction and change.
The Animal Styles of Chi Tao Gung-Fu are designed to accentuate and
empower the attributes and strengths (physical, mental & spiritual) of
the eight human personality types as defined in the 'World of
Personality' and given form and Spirit in the T'iao Ho Ch'uan Tao
studies. Each animal style has everything needed, within their
individual nature and being, to defeat in combat any other animal style,
including the Tiger. Animal styles are taught through the expressed
movements of the animal. Someone who is the personality type of a
particular animal, will find the movements of that animal to feel very
natural, and be easily learned and understood.
The animal styles of Chi Tao Gung-Fu are soft, fluid dynamic fighting.
And of course they teach not only survival on the street when confronted
by unexpected, life-and-death circumstances, but also are a unique
philosophical system for creating dynamic, balanced interrelationships
within the world of man. The
animal styles of Chi Tao Gung-Fu are 85% mental and 15% physical. Or it
can be viewed, on a higher level, that they are 85% spiritual, 15%
mental and the body is considered as a phenomena of "Wu" or
"Nothingness". The bodies purpose is to follow whatever path the Spirit
chooses to take.
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Each animal style is complete and highly specialized. There are
many preferred, toughened hand postures for each (eagle talon, cobra fangs). Certain
traditional battlefield weapons adhere to styles by correspondence
(spears, chain, swords).
Highly specialized animal meditations are tailored for the style. Each
animal has unique versions of such forms as the "Dances of Death", and
such meditations as the "Animal Bows". In many instances, where exactly
a 'form' ends and a 'meditation' begins, is difficult to say. Even
specific vital point attacks are highly geared for a certain animal
style. The overall philosophy of fighting is different for each animal;
different attributes, abilities, powers developed, etc. If a person wants to attain martial combat capability in as fast and
efficient a method as possible, and that is their only goal, then the
exclusive study of their personal animal is the quickest, easiest and
totally "customized" route. On the other hand, if their purpose is at
all to seek to go beyond their current limits, the full Animal System
comprising all eight animals is the road. Each of the eight major
animal styles of Chi Tao Gung-Fu have sub-styles associated. Some of
these sub-styles are very common, others are quite rare in todays world.
These sub-styles are useful tools in refining the match between the
individuals nature and the Animal System.
In the beginning it is important to study all the eight animals of the
Ba Gua, and also certain select sub-styles. A strong foundational
understanding of the principles of combat are extensively illustrated
during the initial phase of study upon the Animal System. Usually, personal
specialization with focus upon the persons own animal archetype does not
come till later in one's study, after some rank has been attained. |
The animal styles are taught primarily through forms and
meditations. A form being a series of bodily movements or techniques,
demonstrating fighting applications and principles, inherent within the
form's structure. Repetition of the form develops the ability to fight
in the style indicated.
A form is literally a meditation in motion. All forms have three
components; the physical body, the form of mind, and the animating
spirit. Some forms are referred to as dances. A form in action is to
perceive a beautiful, fluid dance, of spirit and power, unleashed.
There are literally many thousands of short, animal attack forms (3 to 15
moves). There are hundreds of more lengthy animal forms (20 to 50
moves). There are many, much longer, animal dragon forms (these forms
are not Dragon level, they are so named because of their length - 75 to
150 moves). |
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The Animal Styles are like a
firearm, very dangerous. You don't want to take an empty gun into
combat, nor do you want to have an empty martial art when endangered
either. You don't want to fight with a sport, because on the street
there are no rules. The bad people who might want to hurt you only
understand similar responses. The bad man wants a victim, not another
predator. The police are predators, they prey on criminals. Being a
predator is not an evil thing unless you make it so. All these animals
within this Fighting System are predatory.
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There are 180 Hand Postures
In Southern & Central Chinese Schools
(Tiger Claw, Boar's Tusk, Poison Needle, etc)
There are 280 Total
With an Additional 100 (Odd, Unusual, Difficult,
Rare and Special) Hand Postures
In the Northern Chinese Schools
(All animals may use any of these hand postures,
but there are individual style preferences)
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The Dragon is truly Celestial and connected to
Heaven.
But within the Animal System, it is the Tiger animal which is most
associated with Heaven.
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The Power of Creation, the action of Yang. Heaven descends and the
Tiger is born from the womb of woman. A man of real confidence and
lethal fighting ability by genetic birthright. He is blessed by Heaven
with an equal share of emotions and intellect to govern his massive,
tall, strong body, which he uses in a direct, sometimes overwhelming manner. He is
a force in combat and in his society. He is a natural leader of men. |
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The Tiger is an extroverted personality. He easily
interacts with people. He goes out into the world and changes it. He has
the full potential to be successful at whatever he chooses to do. He has
a natural warrior attitude.
The Tiger Spirit is overpowering! To face the Tiger is
the height of intimidation. Only another Tiger can do so. All others
must give way.
The courage and nobility of the Tiger is an indomitable
domination and control. The Tiger is in control of himself and other
people around him. People will naturally defer him authority because of
his strength and what they perceive as his 'personal aura'.
The Tiger believes in violent, immediate confrontation with a situation,
attacking everything directly head on. Therefore, the Tiger mostly
advances and strikes, seldom defends, utilizing always a strong
stance. This is because his attack is his defense. His weapons are the
Tiger's Claw and the Crushing Palm. The Tiger animal style likes to
literally tear his enemy apart. His growl is the most frightening,
because it is a true expression of the Spirit. Those not aware of
certain truths, often freeze when confronted by a man of real confidence
and lethal power.
The Tiger is a style that will gladly trade blow for blow with anyone.
His combat is an expression of superior force. When he strikes it is to
damage as large an area as possible. The Tiger is no vital points
specialist. He knows sufficient anatomy to cripple the body in a few
devastating strikes of his fist, palm, or Tiger Claw. He prefers
extremely powerful crushing strokes with terrible ripping, tearing
claws.
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The Tiger is the balanced man and so does not desire
something from the outside to make him complete. This is why Tigers do
not, for instance, need to follow religions, join political groups or
even clubs, etc., because they do not follow other men or have someone
do the thinking for them. Self reliant is the Tiger nature.
Additionally, a Tiger does not always realize other people are not like
him, because he can see their abilities, and therefore is very
disappointed with the failures of others.
The young Tiger must sacrifice all that he holds dear.
He must be able to cease taking joy out of doing everything himself in
glory and personal achievement. He must let others do many things while
he supplies the direction, silently and anonymously. He must allow his
natural leadership to unfold and flourish. This is called the "Tiger
jumping into the mouth of the Dragon". This relates to others. In
relation solely to himself, it is said, the "Tiger must turn and behold
his own fierce face". If a Tiger does not turn and goes too far, there
will be disaster.
The Tiger is given so many blessings that his strengths can become his
personal downfall.
If his noble spirit and his capacity to love humanity is crippled by the
creation of a Dark Ego, then it is that his talents and gifts are turned
to selfish, destructive ends. |
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When a man reaches the Tiger spirit in himself, regardless of what
animal he is, he is then capable of fighting with the spirit, and both
understanding and feeling, of all the other animals too, for he is now
ascended to a Dragon. He is a Master of the Animal System and a newborn
Dragon on a quest. |
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The Eagle is as the Wind, from gentle breeze to Typhoon
strength. He descends from the Sky, as it is his domain lair. The Sky is
the region between the Heaven and the Earth, and he touches upon them
both regularly. All the birds are naturally attracted to the Heavenly
Realm (Spiritual), including besides Eagles, the Cranes, Herons, the
Owls, etc.
The Eagle has a tall, proportionally built body, though he is not
usually as tall as the White Crane. As with the Crane, the Eagle is
dominated by his mind, his questing intellect, but the Eagle does also
have emotions and he lives and feels with these emotions.
The Eagle is penetrating; physically with his talons, and mentally
with his eyes. His eyes stare deep into the soul of his adversary, as he
sees his foe naked of all his hidden defenses and deceptions. With his
probing eyes he ignites what everyone fears most; to be truly exposed
for what he is hiding deep inside himself. The Eagle is a type of
truthsayer.
The Eagle exercises a hypnotic intimidation over his adversary
through his piercing eyes. This is opposed to the hypnosis of the snake
styles, especially the Black Cobra, which not only emanates from the
eyes, but is closely associated with the rhythmic, captivating snake
motion of the styles. People were being mesmerized long before science
discovered hypnotism in the18th century. Eagle Masters are expert
hypnotists.
The Eagle's mind is quite capable of overpowering the minds of lesser
men. He is a leader of men, his mind like a knife's edge. The Eagle
spirit is as a Tiger, but his body, while very strong, is not so massive
as a Tiger. Because of his spirit the Eagle is known as the 'Tiger of
the Sky', and to all animals except the Tiger himself, the Eagle
spirit's power is an intimidating force to be reckoned with. The Eagle
can defeat the Tiger, but he must not let his spirit have full rein,
instead he must adhere to the parameters of his style. |
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The Eagle's Art is the most scientific, he is the strategist of the
animals. He likes to use maneuver, approach and confusing trickery to
break up a position. The Eagle can be cruel, and as he fights he teases
and irritates to provoke response. But the Eagle uses his knowledge
always with true feeling. The Eagle rarely backs off even when dying. |
The Eagle is famed and feared for his lightning speed, blinding eye, and
tearing facial attacks. The Eagle knows intimately the anatomy of the
upper body region. His formidable weapons are the Eagle Talon and the
Eagle Claw. He can destroy not only the eye, but also the throat and
brain, and readily attacks the glands of the throat and armpits. He is
specially trained at ripping, lancing and wounding soft body areas. The
Eagle is the famous expert at joint locks, breaks, and excruciating
painful controls. His hands are very strongly developed to grab, hold
and twist. He breaks the arm at the joints or dislocates.What is the
fastest animal? There has been a long and heated debate, over the
passing decades in Chicago and possibly centuries in China, concerning this question. It is not yet settled, but
the currently conceded consensus is that the Eagle is the fastest, and
that the Mantis is the second fastest of the animals; in single strikes
of the arm. However, the Mantis is beyond doubt the more accurate
attacker at these extremely high speeds; sometimes apparently
instantaneous to the naked, unaided eye. The Eagle sacrifices, it
appears, some accuracy for the final quota of speed. The Eagle can miss
on average about twenty percent of the time. The Mantis however is noted
for only missing two or three percent of the time, and that is when he
is attacking tiny points an eighth of an inch in diameter. This is not
bad considering the Mantis is very close indeed to the full speed of the
Eagle, yet has such greater pin point precision. The Eagle though has
ample back-up power, and his weapons which can tear and damage the face
or otherwise inflict harm. But the Mantis can fail completely when he
misses the point, which we see he seldom does. Looked at another way, a
Mantis will strike the eyeball with destructive force, 97 to 98 times,
without fail, out of one hundred attempts! The Mantis rivals even
the Crane for unerring impacts.
Something of a loner, the Eagle can make few true friends, but when he
does, he is forever their staunch supporter. The weakness of the Eagle
personality can reside in an overdeveloped Ego. To counteract this the
Eagle must bring his emotions to full strength and balance them. |
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The Panther is as the Lake, from joyous calm surface, to
deep troubled depths. The Panther is the most playful of all the
animals. Panthers will often toy with his adversary as he stalks him.
But when aroused the Black Panther's emotion of combat is a controlled
rage. Far beyond anger is rage. It is an emotion that is integrated into
the very movements of this style.
The Black Panther has the body of the Leopard, but more powerfully
built, and is not as fast as the leopard. His emotions are similar to
the Leopard in intensity, but are much more balanced by his mind. The
Panther possesses a cunning intellect and has loads of bravery. Black
Panthers are relatives of the Leopard, but the Panthers spots cannot be
seen, because his fur is as black as the spots.
The Panthers weapons are the Panther Head and Panther Fangs. He uses
specialized kicks to attain his purpose, such as impacting the groin
from difficult orientations. The Panther is an extremely mobile and
violent fighter. Being a cat he stalks his opponent and is a ferocious
ground fighter. The Panther uses stalking maneuvers to approach his foe
at six to eight foot distances, and closes rapidly to deliver his hit.
It can be said his range is eight feet at the charge, and on contact,
surface to surface use of weapons. The Panther style is the closest
animal to resembling wrestling. His take-downs and roll-offs are
inspired. The Mantis never wrestles, If he hits the ground he is already
dead, having failed in his style.
When confronting other animals the Panther will usually fight like a
Tiger, for his spirit is a Tigers equal, though his body is not equal to
the task of trading blow for blow with a full Tiger. To defeat the
massive Tiger the Black Panther must keep to his own domain. He is the
"Tiger of the Earth". He drops down towards the Earth and focuses his
energy upon the lower body. |
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The Panther's attack realm are the legs and abdominal area, where his Tiger spirit
flourishes. The Art of the Black Panther is the great emasculator. Once
the Panther reaches the enemy in his charge, when he is allowed to get
that far, he is most difficult to stop. The Panther can ruin a man for life. The groin region being heavily
and automatically guarded by men, animal styles have many attacks to the
groin, but the Black Panther has literally many hundreds.
Not alone the groin, the Panther will smash the ribs into sharp pieces.
He will rupture the kidneys and attack the liver because they are high
blood organs. The pubic bone, fleshy inside of the thighs, the bladder,
are targets to be devastated by his developed hands. From the rear the
spinalsacral-tailbone configuration is an incapacitating, takedown target.
But any animal, though specialized, is not exclusive. The Panthers
fortified assault upon the groin, prompting an extreme defense of the
region by the foe, could mean the Black Panther takes the now highly
exposed eyes, and will blind the man instead.
The Panther likes heavy bludgeoning weaponry. Black Panther weapons are
battle axes, and the still-head mace amongst others.
The Black Panther looks at an object and sees how the surroundings
affect it. The Eagle in comparison, looks at the object and sees how it
(the object) affects the surroundings. The Panther knows many things,
but can also feel out a situation. The Black Panther needs to give
full recognition to his intellect and yet balance it with his deep
feelings. |
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The White Crane is as Fire, luminous and clinging. The Crane
is tall and thin, and has an intellectually oriented personality. The
White Crane is a great thinker. He is extremely intelligent in the book
knowledge sense. He is the tactician of the animal system. Even a one on
one fight, to him, is a planned sequence of moves and outcome. The Crane
analyzes his enemy and delivers the appropriate method to destroy him.
Sometimes this decision must be reached in a matter of mere seconds.
The White Crane lives in his head, whereas the Black Cobra lives in his
groin. The Crane is far separated from his emotions. Emotions to him can
be very frightening events. The Crane shuns deep feeling. Nevertheless,
the Crane "thinks that he feels". Even when he is frightened he does not
consciously feel. Instead, his brain, speeded up by anxiety, sends out
confusing thoughts at extremely high rates. The White Crane likes things
that enable him to "control" his thought. He likes things that sort out
and make sense of things.
The sound of the White Crane is an unbreakable silence. No matter the
pain, no matter the taunt, no matter the violence, his silence absorbs
all things. The silence of the enlightened White Crane Master is so
profound as to be deafening! To enter a room, where the Master has sat
for hours alone in meditation, one can feel an atmospheric aura of his
deep silence enveloping the space. The foe, in combat, can come to
eventually 'hear' the silence of the Crane, and it can be then more
terrifying than any wild war cry.
For the Leopard a fight is an extremely emotional experience, which he
enjoys. The Crane being the least connected to his emotions can be
referred to as the proverbial "cold blooded killer". Put another way he
is a "fighting war machine". His decision to harm is chosen
intellectually, out of a necessity of analyzed potentially lethal danger. The Crane
proceeds with little emotional attachment to his actions. When it is
over he will tell himself it was necessary for survival and detach
further from his act. He may suffer psychosomatic bodily reactions to
his justified actions, but he may not readily attach these symptoms to
the mortal combat itself. |
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The White Crane will develop his legs until the muscles are as steel.
The leg muscles are at least ten times more massive than the arm
muscles. A weight lifters arm expanse can never match the leg. The style
of the White Crane has been called, "The Art of Kicking". The White
Crane can kill with his legs. He lances his enemy apart with his talon
like legs. He snaps his foes own legs, breaks arms, shatters the spine,
and crushes their chests. While his legs are massively devastating, his
hands are fast as lightning, pin point accurate, hard as a rock (all the
animals toughen their hands using Taoist training methods, associated
with medicated external liniment application, and internal herbal
elixirs).
The White Crane of Chi Tao is known as the "Single Strike Kill Art". The
Crane is noted for finishing things in as few moves as possible. The
Crane's Beak, a hand posture, when fully toughened, can break three
bricks or more. It is a truly deadly weapon and is used with an uncanny
precision striking accuracy. The Crane without fail always strikes
specific vital points, either related to a natural physiological
weakness of the body, or linked to the Chinese Energetic Theory of Chi
associated with the Nei Ching. The White Crane Master is a master of
Chinese Medical Theory and fluent in acupuncture points, meridians,
flows, times of day, balance, etc. With this knowledge he can heal the
sick, but also disable an opponent during a violent confrontation. The
White Crane Master can further develop his skills, along these lines,
into the high level Art of Tien Hsu He.
The White Crane is a stepping stone to the Spirit of Heaven. The
emotions are connected to the Earth, but the mind (intellect), though at
only the highest level, is with the Spirit, and is closely associated
with Heaven. The Crane, unencumbered by the emotions, can more easily
strive after the purity of the Spirit. This is sometimes called 'chasing
the pearl', and applies to all Dragons. The White Crane is therefore the
great meditationist. If the White Crane can stop thinking, then he is
the most Zen of the animals. A 'perfect white crane' is a spiritual being. White
Cranes possessing flight and being the Fire Element are always oriented
towards the divine nature of reality. The Crane style has not only
animal meditations within, but also spiritually developmental
meditations, specific to the style; and separate from the Art of Chi
Tao's non-martial, Taoist Alchemical Practices, T'ien Tao Meditation
System and Taoist Yogic Studies, etc. Each animal style is complete and
has everything necessary to nurture the nature of the individual
associated with the style. |
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The Leopard is as Water, constantly altering it's mood from
placid to storm fury. The Leopard's body can be lean to chunky, tall or
short, but it is always muscular and fast. The Leopards ever changing
bodily emotions dominate his actions, his life. He is not aware how much
the energies in his body, his feelings and impulsiveness, dictate his
behavior. It is said, "the Leopard feels that he thinks". People around
the Leopard often can believe he is a thinker, because he seems to be a
ball of fire getting things accomplished. The Leopard has a flashy,
show-off fighting style. The great pugilist Muhammad Ali (Cassius Clay),
who appeared to have the massive body of a full blown Tiger, was in
reality a Leopard, because of his un-tiger-like speed and his
flamboyant, emotional character. |
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Leopards are charismatic personalities.
Leopards are often natural born fighters. This is because they are
dominated by the brain structure known as the cerebellum, which
coordinates voluntary movements such as posture, balance, and
coordination, resulting in smooth, balanced muscular activity. This
strength is often the downfall of the Leopard. If a Leopard relies on
this natural ability, a God given gift, therefore learning only moves
without absorbing the in depth knowledge associated; then later in life,
when age reduces and slows his reflexes, strength and endurance, his
natural ability to fight effectively will dwindle rapidly with time.
The Leopard's Paw is a beautiful, streamlined weapon that can cut two
bricks in half, and is ideal for rapid stabbing moves. The Leopard often
goes for the throat with his paw, because he knows it will kill a man
instantly, yet is a weapon that does not have to be as strong as the
Tiger's or as accurate as the Cranes. He can also attack the face with a
multitude of blindingly fast, raking maneuvers. The Leopard, as with all
cats, is a profound and difficult opponent to deal with on the ground.
The Leopard call, halfway between a growl and a hiss, comes from his bag
of tricks. It is a device used to deceive his foe into a wrong move,
distract, cover-up a maneuver, or rarely to frighten, etc. |
The Leopard, not overly aggressive, exercises a defensive quality,
but with a dynamic, highly volatile spirit. He moves extremely rapidly.
The Leopard is the fastest animal in overall body movement. But while he
can usually hand strike up to three times faster than the other animals,
yet the fastest individual arm strikes are clocked by the Eagle and
Mantis, who can apparently attain seemingly instantaneous speeds in the
mere fractions of seconds. The Tiger is three times more powerful than
the Leopard, but the Leopard is faster and can generally strike the Tiger three
times during the interval of a single Tiger attack.
While the Tiger will fight out of sheer spirit because he must, and
often against many opponents; and the Black Cobra will wait for hours in
an alley to wreck vengeance on a hated enemy; the Leopard in his turn
likes competition, the thrill of the crowd watching as he demonstrates
his skill to impress the many. For this reason the Leopard has been
called the "Gladiator of the Animal System".
Because of this gladiatorial attitude, there is often a lot of
superficial moves in the Leopard, as his natural ability does not
require in depth learning. Instead he is attracted to flashing movement,
that he feels will make him appear impressive to the watching crowd. The
Leopard is more concerned if the crowd observing the fight thinks he won
than anything else. His philosophy feels that fighting is primarily won
through trickery, deception and spectacular techniques. The Leopard
would rather win a game of chess through psychological pressure then by
intellectual struggle.
The Leopard walks a fine line in his fights, between real combat and
public exhibitions. This is often his downfall, for if he goes too far
in his showmanship he will certainly be defeated! In combative fighting
defeat can have serious consequences. Martial arts such as Karate,
Boxing, Judo, etc., reach the Leopard stage when they break from the
reality of fighting and become sports protected by "rules". The Leopard
sometimes just cannot help himself, but other martial arts have consciously chosen to break with tradition, and reality, in
order to become sports. The Green Dragon Society does not look down on
or disrespect any sports, but they have no place in street fighting,
under potentially lethal circumstances. Street fighting does not mean two bad
guys going at it, necessarily. It means you, being attacked by a drug
crazed maniac, for instance.
Everyone is one of the Animal System personality models, it doesn't
matter whether they are aware of it our not. No matter what martial arts
people may practice, those who compete in MMA are often Leopards by
nature, as determined by criteria delineated on this page. Additionally,
the Tiger-like personalities gravitate to MMA also to compete, but for
them, it is a matter of the spirit, though anyone can become intoxicated
on exhibition. |
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In today's popular Mixed Martial Arts (MMA) world, it is
only some of the Leopards studying our Animal System, who are intrigued
and drawn to the phenomena of MMA. Their gladiatorial, exhibitionist
impulses are too strong and need an outlet, but there must be a crowd
around to draw energy from. The dark, empty alley of the Cobra, at 3am
in the morning, is not for Leopard tastes. Those who study Chi Tao and
do MMA keep their study with the Green Dragon Society confidential.
There are few who do so, but all are inevitably Leopards.
Final word on this subject. The Green Dragon Society was doing what we
called the "Blood Matches" from the 1960s and beyond. Long before
MMA came into existence, the Green Dragon Society was doing MMA "on
steroids", without any protective equipment whatsoever and really no
rules. It was all out fighting. It was to bring out the Animal Spirits.
Despite the intense violence, few major injuries ever occurred, because
the fighters were protected by the Animal Spirits themselves.
Never-the-less, they were called 'blood matches' for a very real and
quite visible reason. |
Green Dragon Society - Black Cobra Hall (inner
chamber)
Painted section from the 'Fighters Circle' . . . circa late 1960s
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This then, is the most unique aspect of our animal
system, the Hun & Po, the ancient animal spirits defined in T'iao Ho Ch'uan
Tao. |
Through
the still secret meditations, the fighter becomes the animal itself;
acquiring it's powers and attributes, which transmits the animal senses,
cunning, speed, strength, attitude, endurance to the fighter. The animal
spirit can be killed, but never defeated!
There were only two understandings in the blood matches: 1) You begin when told
to do so. 2) You stop immediately when told to do so.
Anyone so deeply immersed in their Animating Spirit as to be oblivious
to verbal commands was struck swiftly across the back with bamboo staffs
by the guards, until more normal consciousness returned to them. It was
also the task of the guards to keep the fighters within the perimeter of
the designated circle of combat. At
least one Master, usually many, supervised this activity. Sometimes,
though not
usually, it was a competition event for medals and possibly rank
promotions. But there was NEVER any public allowed, it was strictly
within the confines of the organization. What happened in the Society
stayed in it. |
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The Mantis is Stillness, the Mountain. The Mantis holds the
ground as a deep rooted mountain. Any animal, even a Tiger who tries to move
a Preying Mantis is well aware he must approach within the range of the
Preying Mantis's hands, a dangerous thing to do, as Mantis
hands are the most developed of all the animals for ripping, tearing,
grabbing and squeezing, lancing open, mutilating, blinding and maiming.
The Mantis Master toughens his hands to a fantastic degree, as he
toughens his hands the longest of all the animals. Each finger trained as
a penetrating weapon. The Tiger toughens the most, but the Preying
Mantis toughens his hands intricately and delicately. The Mantis loves the Poison Needle hand posture,
the index finger capable of penetration into the throat in a blindingly
fast strike. Imagine if it strikes the eyeball! Often the penetration in
that case is to the brain. It is further used to strike death points and
kill instantly.
The Northern Chinese hand toughening method utilized by the Animal
System is designed to slowly alter the bone structure of the hand into a
steel-like hardness, without losing the sensitivity of the hands, their
flexibility or dexterity. The strength of the forearms in the Preying
Mantis is legendary. The Mantis Master's physique is by no means large,
so he must develop his hand weapons beyond imagination. Like the White
Crane, the Mantis has an almost encyclopedic knowledge of
physiology and acupuncture meridian body geography. For instance,
instead of seriously hurting the man, the Preying Mantis can use points
in the forearm to drain the opponents energy and make him weak. Actually
any animal can do this or other less than lethal applications, if the
situation does not warrant deadly force. |
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Like the White Crane, the Mantis is a silent, patient fighter. But the
Preying Mantis is noted for possessing the greatest patience of all the
animals. Once he chooses his waiting place he will remain there and not
hardly move until his enemy approaches closely. In combat the enemy
comes to him. The Mantis cannot be drawn out of his ready patience. The
Mantis is as a mountain, it does not come to you. When he finally moves
and strikes, you may never see it, you may never even know it, it is
just that fast.
If a person wants to study fighting aspects such as the 'compression of
Chi' or how to fight in confined spaces or under unusual conditions, the
Mantis is the style to learn these, and other specialties.
The first type of person to study the Preying Mantis is the natural born
Mantis, developed by nature from the womb. This person is tall and lean.
He is dominated by the mind. His intellect, his thoughts, are brilliant.
His spirit is of the earth, it is the mountain. Earth bound lower
feelings ensnare and snake from within him. Because of this, the Preying
Mantis automatically seeks to inflict the most and long lasting damage
and pain on an attacker. Although the injury can be at one or several
locations, they are all very small areas afflicted. The Preying Mantis,
like the Cobra, has a streak of sadism. This is the earth elemental
influences.
The second type of person for the Preying Mantis style is where the
style can be used as the 'outline' for developing a customized Mantis
style, specific to a particular individual, afflicted from birth by a
physical deformity or obstruction. Often under these circumstances the
regular Mantis style is insufficient to cope with the physical
differences and weaknesses, and so a Mantis Master must use his skill to
alter the style into the correct alternatives. Also, people crippled or
maimed later in life will need a customized style drawn from Mantis
blueprints so to speak. A one armed man can alternatively study the
White Tiger Style. Not necessarily a 'Tiger' style, it is designed
fighting for a one armed man, or a man with one eye. |
This second type of Mantis person can be any of the animal
personalities, especially when the affliction determining him a Mantis,
came well after birth and childhood. For instance, a full Tiger, after
an accident resulting in becoming a paraplegic, would study an adapted
form of Mantis, in order to fight from the wheel chair, and on the
ground if necessary. Not only the physical characteristics, but most
importantly the Spirit of the man, and his emotional and mental aspects
must be carefully considered.
The Preying Mantis must detach from the confusion of his earth
feelings, such as suspicion and retaliation, and instead emulate the
White Crane by seeking out the higher emotions; through the cultivation
of his own spiritual light. |
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Feral Pig
The Boar is Arousing Thunder. The feral, frenzied
charge of the rabid Boar; rib breaking gouging tusks, testicle crushing
impacts. Each animal is an expert at utilizing unique
specialties. If a practitioner wants to study certain aspects of
fighting they can study the animal style with that specific skill.
For instance, the Boar fights, more often than most, with his back
turned toward the opponent. A rather unusual aspect of mortal combat,
which the Boar makes into his own advantage. As another example, the
Boar Style is also the "Art of the use of the thumbs in combat".
The advanced Boar practitioner breaks bricks with his thumbs. When else
might you study Boar techniques? When you want to learn how to react to
suddenly, unexpectedly being grabbed or otherwise attacked from the
rear, for instance. |
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The Wild Boar is a stocky individual, who like the Leopard is governed
by the overwhelming nature of his emotions. Unfortunately, his feelings
are drawn from the dark Yin of the Earth, which lower emotions are most
associated with the Snake styles.
Holding tight defensive stances, he has speed, but his flurry like
techniques are not done for skill or fighting, so much as for inflicting
disabling pain. His thumbs gouge for eyes and maul vital points.
A unique peculiarity of the Boar is he loves to draw the opponent to
attack him from the rear. It is partially psychological for him. He has
fear and so turns to alleviate the fright, but he can fight as well to
the rear as the ordinary man can fight forward. It certainly has fooled
many of his enemies in the past. He wins more fighting to his rear than
fighting forward.
The Boar has a nasty personality. The Boar feels that he is the
ultimate. Even his teacher he does not admire. But the Master, to the
Boar, is the only individual the Boar feels he does not have to
execrate. Both the Boar and Mantis must replace emotions of
defensiveness, suspicion and retaliation with good positive feelings,
and also learn new and productive habits.
The Boar is a rare animal style in today's civilization. Possibly, three
per twenty year span may appear. Perhaps in a distant past this was
different. Today, few people matching the indications ever apply for
study. This does not mean that Boar personalities are unlikely to desire
to study this Art. It means few of them are actually created naturally,
in the world, at this time. Out about their everyday affairs Green Dragon
members spot
the animals, for ease of interaction, and few Boars exist.
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Macrocosmically, the prevalence of any of the eight personality animal
types (also, especially sub-styles), within human society, at a given
period historically, is on a direct relationship to the dynamics of the
environment, culture, customs, religion, technology, and so on, extant
at that time. The cultural 'form of mind' is an all important factor.
Traditional beliefs are central to development of the psyche.
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On the microcosmic level, each family unit is like a natural petri
dish, having certain nurturing factors, and on the other hand some
detrimental elements. These can be things such as the family is 'open'
or 'closed' to the expression of feelings, or a parent is an alcoholic,
the possibilities: ad infinitum. A genetically unique individual is born
into the family and must cope with the family unit. How this person
copes, what resources within he draws from, sets the stage for the
development of the animal personality type.
It is not just the environment alone which makes a person a specific
animal style (personality type), such as a Snake or a Crane. Though
there is a genetic predisposition to incline towards certain physio-emotional
patterns, yet free will in choosing 'how' to feel and relate is within
each new child. The newborn is of the original nature as unstamped
potentialities, and it is then these decisions how to interact from
inside, which are the initialing formation of the complex referred to as
"personality". |
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In conclusion, when determining a person's animal, physical size and
many other characteristics is often a good guide in some ways, but the
REAL Spiritual state is, in the final analysis, the only criterion upon
which a Master judges an Animal Spirit. For instance, a very small
statured man might have the full blown Spirit of a Tiger, and that
changes his animal. It doesn't make him a Tiger, but it puts him into a
different animal category despite his size. Further, there are snakes
with a Tiger's body, but their snake spirit cannot be Black Cobra.
Therefore, there is a substyle called 'White Python' designed for that
personality. The White Python is the "Tiger of the Snakes", but it is
the Black Cobra, which is "King".
While not specifically knowing our eight animal system of Chi Tao,
but generally, this knowledge is somewhat known to modern psychology,
especially Jungian, which understands the subconscious, and archetypes
such as Hun and Po. Nevertheless, this is relatively recently discovered information by
Western science, whereas the Northern Chinese shamans and mystics knew
of these relationships and psychophysiological archetypes many thousands of years ago, based upon
the incredibly advanced knowledge in the trigrams formed into the "World
of Personality". |
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The Black Cobra is known
historically as the "Deadliest of the Eight Animals"
This is because the Cobra is the most sadistic fighter and inflicts
enormous, unnecessary, nonlethal pain.
Thereby the style is greatly feared and considered highly
dangerous. |
The Power of the Earth, the Yin "Mother of all Things". The Black Cobra Style is the Earth itself. The Cobra's energy is
drawn from the Earth and transferred devastatingly to the foe. The
Cobra's body, like the Earth, can absorb great force without harm. The
Earth has infinite endurance over time and the Black Cobra Master
possesses the longest lasting physical endurance of any animal style,
including the Tiger, who's great strength is used mightily, but often
wanes quickly (it does not usually take the Tiger long to destroy his
opponent). The Black Cobra's tremendous, superior endurance, out lasts
the strength of everyone except perhaps another Cobra. The Black
Cobra of Chi Tao fights extremely defensively. His weapons are the Cobra
Fangs and the Dragon Tail. His attacks are blinding and he uses many
controlling maneuvers. The Black Cobra likes to expose his back while
fighting the enemy, but for the trained Cobra this is not a
disadvantage. The
Cobra has the deepest stances of all the animals, closest to it's
source, the Earth. The Cobra is of course a powerful, deadly ground
fighter.
The Black Cobra can be conceived as the opposite of the Tiger. In
it's own sphere, the Cobra can be sometimes almost equally powerful with the Tiger, but
in exact opposite behaviors; as example, because different sets of
muscles are used to push an object, as opposed to pulling and drawing it
in.
The Black Cobra rarely commits himself fully, preferring to lure his
attacker to his doom. The Tiger commits his whole being, whereas the
Black Cobra uses only the minimum part. The Tiger strikes to kill,
whereas the Cobra strikes to blind and mutilate and inflict paralyzing
pain. |
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The Black Cobra is the 'Master of Pain', both the infliction of
tremendous pain on an opponent and the control of his own personal pain
by whatever cause; be it physical, mental or spiritual pain. The Cobra
is the most cowardly of the animals, yet has no fear of pain. The Cobra
enjoys unleashing pain. It overcomes his massive fear. Matches between
two snakes are contests of escalating pain. A Cobra is not so apt to
finish an opponent as some animals, but the foe suffers accordingly.
The fighting emotion of the Black Cobra is hatred, which he combines
with his game of pain. To overcome his otherwise paralyzing fear, the
Cobra must inflict pain on his enemies. Once in control, the
Black Cobra is known to become a sadistic punisher of his foe. Many
believe the cowardice of the Black Cobra to be a myth, because the Cobra
invariably carries the air of being tough, competent, unafraid and
aggressive. This is an example of what the Eagle strives to uncover and
draw out, as
he stares so deeply, hypnotically, into the soul of his opponent; the real
underlying truth hidden from the world.
The Black Cobra is the perfect complement of his attackers movement. He
does not oppose, yet inflicts. The Cobra does not desire to be the
Ruler. It is not his place to lead. His place is as the Minister at the
ruler's side, the second in command. If the Cobra keeps to his appointed
position he will succeed and thrive.
Cobras live mostly in their body and tend to follow easily their baser
emotions and drives. They are very sexual, sensual beings and it is said
their mind is in their groin. This is their solace and pleasure in life,
close to the Earth, never far from the generative force. |
Being of the earth, the Black Cobra has access to the mysterious forces
constantly in motion within the subconscious mind; more so than any
other animal. This is a natural source of great power for the Cobra. By
comparison, the Tiger is flooded with a more crystal clear, conscious
reality. Neither aspect of the mind is considered superior to the other,
only different and opposites.
Some other powers and attributes of the Black Cobra style includes
an amazing blood circulation control. There is his "Hiss" as he fights
(to numb his body and focus attention on only the target), and the Cobra is
recognized as the most adept of all the animals in the cultivation and
storage of Chi generally, and more specifically spiraled Fah Jing
or as it is called 'weaponized
Chi'.
The Cobra has a powerfully muscular body, a fine physique. He takes
pleasure in physical movement and action. He loves music and dance, body contact
sports such as wrestling, and work that involves physical labor and
movement. The Cobra is the backbone of society and represents probably
sixty five percent of the overall general population. When not in combat
mode Black Cobras can be sensitive feeling people and loyal friends. To
progress spiritually, the Snake has to gain both his emotions and his
intellect, which is very difficult, involving much pain and suffering.
But the Snake can do it, for Heaven gave him a strong body, with
endurance, and the capacity to struggle.
It is the Black Cobra who awakens the Kundalini Energy, as taught in the
ancient Eastern doctrines. The Kundalini is not referred to as the
"Serpent Power" without profound reason. The snake motion stimulates
and thereby 'Awakens' the dormant, sleeping, dreaming, Kundalini. Snake
meditations first prepare the way for the body and mind to integrate the
enormous power of the Primal Energy rising from Earth to Heaven;
from the base of the spine to the pinnacle of the skull, as it transits
the Great Triad: Earth, Man and Heaven.
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The Dragon is composed of the eight animals combined with the Spirit of
Heaven. The Snake is the tail of the Dragon, which because of the
serpentine structure of the Dragon, the Snake can be referred to as the
elemental ingredient of the Dragon body. The Dragon must be evoked. It is indeed the tail of the
Dragon (the Snake), which begins to sway the Dragon, or in other terminology
"Entice" the Dragon from his sleep; originating from the seat of the Kundalini, the Serpent Power.
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Whips - The
Preferred Weapon of all
Snake Styles |
The warring snake styles in China,
during the 'Time of the Wars' in Minhow and Foochow, fought duels of
intense pain using whips
The Snake Societies disciples ripped each other into fragments, tearing
out ribbons of flesh, some contests lasted the entire morning or
afternoon
Snake mastery of blood control, allowed them to diminish blood loss, so
as to retain strength and stave off shock and unconsciousness
Many people in China were terrified of the Snake Schools of Fighting |
The whips were used as hunting weapons against large
cats, as they can lace open the back of a leopard, or for that matter
rip the hide off an ox. Whips were used to fight off wolf packs in
Northern regions of China and to viciously fight against traveling gangs
of bandit outlaws on isolated roads. These maiming whips are used to
flick and stab, but can be swirled and snapped to draw flesh. It is
usually a weighted weapon, designed to kill with one stroke, used from
either end. Cobra whips have many varied designs utilizing steel wire,
braided cord, animal guts, rawhide, rope, silk, wood, etc, no two were
ever exactly alike. Even the backlash from these whips will mutilate.
Each are unique, they are designed to be dangerous to the user, unless
he 'knows' the secrets of the particular weapon. |
East Indian Snake Charmers . . .
circa 1890s |
The Eight Animals combine with
Heaven to create a Dragon
The Dragon is eventually consumed by it's own Internal Fire
The Phoenix then arises from the ashes of the dead Dragon
Above the Animal System are the Dragon Systems
(reflecting higher knowledge of the Heaven & Earth
teachings)
The Green Dragon Society is currently teaching eight Classical Dragon
Forms
These forms average 350 or more moves, the longest at just over 1200
Above the Dragon Systems is the Silver Phoenix Art
The Green Dragon Society further teaches an elemental "Five
Dragon Philosophy"
(representing the Internal Taoist Doctrines) |
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